Ostara – Chasing Away the Darkness

The solar festival of Ostara celebrates the Spring Equinox, the time of year when night and day are equal. This moment marks a turning point in the seasons and is most certainly cause for celebration: for the next six months, the light of day will prevail over the darkness of night – bringing warmth, renewal and regeneration to an Earth previously frozen in winter’s cold grasp. 

According to 19th-century German folklorist and linguist Jacob Grimm, the name Ostara derives from the Germanic goddess of spring-like fertility, Eostre, believed to have been worshipped by Anglo-Saxon and Northern European pagans. Though some scholars have contested the deity’s existence and ancient worship as a fabrication of the 8th-century English scholar Bede, others have nevertheless posited that such a figure may have been venerated as a localised deity associated with new beginnings and the awakening of nature (noting the linguistic connections of Ostara/Eostre to the eastern sky, dawn and other Proto-Indo-European goddesses – such as the Greek Eos, Vedic Ushas, or Baltic Aušrinė). Regardless of her historical origins, Ostara’s association with the coming of Spring has left her a venerated figure in various modern folkloric traditions and pagan groups throughout Europe.

While the equinox has been marked for centuries by pre-Christian people worldwide, the relatively modern festival of Ostara pulls together diasporic folk and pagan traditions that share much symbolism with the Christian holiday of Easter, which in turn finds its origins in the Jewish Passover. However, while Ostara and Easter share a common linguistic etymology in the English language and use similar iconography – such as the sunrise, eggs & chicks, rabbits and flower blossoms – to celebrate ideas of rebirth, renewal and regeneration, it is inaccurate to conflate the two traditions. Even so, this mirrored history makes Ostara no less valuable to those wishing to reunite with nature; in this time of folk renaissance, many want to shed our urban chains and reconnect with nature like our ancestors before us. Perhaps it is a sign that natural symbols prevail over all cultures as universally relevant and worth rejoicing.

Living in tune with the seasons is valuable for our mental and physical health and fosters a sense of community. Take a moment to look around you. Go on a little walk in your neighbourhood. Notice the grass growing. Notice the buds on the trees, tiny green leaves ready to unfold, blossoms preceding the return of greenery. Smell the apple and cherry blossoms, listen to the birds chirping. In all its beauty, the natural world is brimming with life, ready to burst into celebration at the arrival of warmer weather. 

When we come together to celebrate the arrival of brighter days, we are reminded of the power of the collective. That we can find comfort in one another and that the world keeps on turning, no matter how bleak things feel. This time of year is a reminder that it sometimes feels darkest before the dawn. New generations bring new hope and ideas while connecting to the traditions of the past. While we need darkness to make us appreciate the light, if you feel like you are in a dark place right now, Ostara is your reminder that the sun will rise again and overcome the darkness enveloping you. 

If you sense a new energy within yourself, use it for good. Dedicate time to improving yourself or giving to those in need, even if you can only give your time. Open your windows and take in a deep, filling breath. What does the coming of Spring mean to you? 

This blog was written by Hayley Moss and Ry Gifford.

 

 

Imbolc – Welcoming in Hope

Imbolc is one of the Celtic seasonal festivals marking the half way point between the Winter Solstice and Spring Equinox. It is also known as St Brigid’s Day – a Christianisation of the festival and transformation of a Pagan Goddess into a Christian Saint. The way it is celebrated in different traditions has more connecting them than dividing; always celebrated with feasting, time spent in the home and introspection. It is a time of optimism and hope represented by snowdrops growing through the cold dew and white candles extinguishing any lingering shadows.

The figure of Brigid has many faces – a Christian saint, an ancient Goddess. She holds a number of associations with Glastonbury. She is depicted at Glastonbury Abbey charmingly in a small carving of a woman milking a cow on the solitary tower at the top of Glastonbury Tor. Brigid represents the beginning of new life and is sometimes associated with milk as well as flames and the hearth. The very name Imbloc is believed to derive from the Irish ‘i mbolg’ meaning in the belly. This time of year is vital to lambing and livestock management, hence its pastoral associations of milk and sheep. This image of Brigid may be an indicator of a lost purification ritual.

Like Brigid and the distant saints, Imbolc is to me an unobtrusive festival. Especially compared to other Celtic festivals like Beltane and Samhain, Imbolc usually creeps upon me. I feel winter is well and truly with us and then… perhaps it is not. We are supposed to make up a bed for Brigid, leave her some food for when she comes and make her feel welcome. At the same time, it is a date for preparing to sow seeds and it is an important time in the lambing cycle. We stop, we celebrate, we take a few breaths and then the work begins. This is alright though because it is spring and it’s not so cripplingly cold. The days are getting blissfully longer. We have a bit more energy to push through into the easier, sunnier times that are to come.

This is what festivals are for. When we are distracted by our busy lives, we can feel the prompts of these ancient festivals whispered through time that serve to direct us to tune in differently. We might visit the shrines or the wells, participate in a ritual and bask in the joy that awakening nature brings. Today, I urge you to stop and listen to the birds sing, search for the shoots of flowers in the grass, look up into the open sky and breathe in the air of hope for the new season.

This blog was written by Adam Gordon, Cygnus Magazine Editor, Watkins Commissioning Editor and Watkins Media Office Manager.

 

 

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